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果酱视频

Degrees

  • B.A. 果酱视频, 2016
  • M.S. Miami University 2020
Areas of Interest

Emily Baird is a dancer, choreographer, and educator originally from Steubenville, Ohio. She holds a B.A. in Theatre and Dance from 果酱视频, where she choreographed more than six original works for the college’s Dance Company and worked as a lighting designer. She is also an alumna of the American Dance Festival Six Week School, where she performed in both the International Choreographer’s Residency Concert and the Student Concert. After graduation, Emily moved to Chicago, where she worked as a dance instructor, performed at the Vittum Theater, and took professional modern dance classes at studios around the city.

More recently, she graduated from Miami University with a M.S. in Kinesiology & Health, where her thesis research investigated the role of body awareness in collegiate modern and contemporary dancers. Professor Baird’s research interests focus on the intersections of dance, kinesiology, and music, and how these intersections can create meaning for both artist and audience.She is also the founder and artistic director of Drift Dance Collective, a small dance company focused on multimedia performance, outreach, and accessibility.

Although Professor Baird鈥檚 primary style is modern, she also has experience in contemporary, hip hop, ballet, contact improvisation, and various somatic techniques. She is also a registered yoga teacher (RYT-500庐) and prioritizes a focus on functional anatomy throughout her dance classes.

Courses Taught
  • Fundamentals for the Performer
  • 聽Modern Dance Technique
  • 听颁丑辞谤别辞驳谤补辫丑测
  • 聽Global Music Skills for Dancers
  • 聽Contemporary Dance History
  • 聽Dance in World Cultures
  • 聽Introduction to Ballet
  • 聽Dance-Based Body Awareness
  • 聽Dance for Social Change
Publications
  • 鈥淎 Qualitative Investigation of What 鈥楤ody Awareness鈥 Means to Dancers at a Public Midwestern University.鈥 Journal of Dance Education, volume 22, issue 2, 2022.
  • Book review of Dance & Activism: A Century of Radical Dance Across the World, by Dana Mills. Theatre Topics, volume 32, no. 1, 2022, 42-43.