������Ƶ

Muellner studied German literature at the Freie Universität in Berlin from 1988-1992. After having lived in Berlin from 1988-1992: “She was living in Berlin when the wall came down, November 9/10, 1989!”

Before coming to ������Ƶ, she taught at the University of Maryland, the University of Minnesota, Humboldt University Berlin, and Gustavus Adolphus College. She specializes in cultural production in the 19th and 20th centuries, travel writing, colonialism, visual culture, and interdisciplinary approaches to literature.

She also enjoys spending time with family, cooking, reading, walking in the woods, playing the mandolin in the band “Frodo and Friends,” and practicing Ashtanga yoga regularly. She teaches yoga to faculty and staff in the College Wellness program.

• All levels of German language
• Advanced German: Food and Morals
• Literature of Migration and Travel
• German Writing of 19th Century
• Gender and Modernity in Berlin and Vienna
• Alemania and Afrika: Not So Black and White
• Comic Books and Social Conflict

Manuscript-in-Progress

• Working the Gilded Cage: The Life and Writing of Poet Queen Carmen Sylva aka Queen Elisabeth of Romania (1843-1916)

Edited Volumes

• New Perspectives on German Women Writers and the Spatial Turn. Beth A. Muellner and Carola Daffner, Eds. Berlin: DeGruyter, June 2015.
• Feminist Choices: A FEminiST Schrift for Ruth-Ellen Joeres. Helga Thorson, Britt Abel, Nicole Grewling, Beth A. Muellner, Eds. (forthcoming University of Victoria, BC, 2021).

Articles/Chapters

• “Mindfulness in Academia: On the Fine Art of Keeping It Together,” Feminist Choices: A FEminiST Schrift for Ruth-Ellen Joeres. Helga Thorson, Britt Abel, et. al., Eds. (forthcoming University of Victoria, BC, 2021).
• “Rethinking the Periphery: Blackness in Eugene Marlitt’s Im Schillingshof (1879),” Afrika and Alemania: German-Speaking Women, Africa, and the African Diaspora, Eds. Elisabeth Hock, Michelle James, and Pricilla Layne, (forthcoming Camden House 2020).
• “A Force of Nature: Narrative Strategies of Autobiography in the Work of Poet-Queen Carmen Sylva,” German Life Writing, Eds. Elisabeth Krimmer and Katja Herges, Camden House (forthcoming Camden House 2020).
• “The Remains of the Stay: The Corporeal Archive of Empress Elisabeth in the Hofburg,” Sissi’s World: The Empress Elisabeth in Memory and Myth, Eds. Heidi Schlipphacke and Maura Hametz, Bloomsbury Press (New Directions in German Studies), July 2018.
•  “The Walled Up Wife Speaks Out: The Balkan “Legend of the Walled-Up Wife” and Carmen Sylva’s Meister Manole.” Marvels & Tales: Journal of Fairy-Tale Studies 32.2 (Fall 2018).
• “Annemarie Schwarzenbach and Others: Redefining the New Woman as Roving Reporter.” German Women Journalists, Christa Spreizer, Ed. Peter Lang (2014).
• “Nineteenth-Century German Women Writers on the Railroad.” Trains, Literature and Culture. Reading and Writing the Rails. Stephan D. Spalding and Benjamin Fraser, Eds. Lanham, Maryland: Lexington Books, 2012. 29-52.
• “The Empress Elisabeth of Austria and her ‘Untidy’ Collection.” Women Art Collectors. Ed. Annalisa Zox-Weaver and Dianne Macleod. Spec. Issue of Women’s Studies: An Interdisciplinary Journal (September 2010).
• “When the Ethnographic Subject Resists: Stinnes and Söderström in China.” Colloquia Germanica 40 (2007): 157-173.
• “German Women’s Bicycling Magazines as Contested Space for the Bourgeois Feminine Ideal” Women in German Yearbook (January 2007): 167-188.

German and Russian studies professor lectures on royal photograph collection Beth Muellner gives virtual lecture on Empress Elisabeth at Cologne’s Museum Ludwig – January 22, 2021

Beth Muellner, chair of the German Studies department and professor of Russian Studies at ������Ƶ, delivered a virtual public lecture that is now available on  at the Museum Ludwig in Cologne, Germany on Jan. 19 entitled “Sisi’s Photo Albums Revisited.” Muellner discussed the collection of portrait photographs, or carte de visites, that the Empress Elisabeth of Austria kept from 1860-1864. The collection, from which the Museum Ludwig holds 18 albums, includes photographs of nobility, celebrities, and artworks and is on display in the museum’s exhibition “Sisi in Private: The Empress’s Photo Albums” until Jan. 24.

In her lecture, Muellner discussed the role that photography played in the lives of royal women. “The practice of keeping carte de visite collections as a seemingly quotidian activity allowed royal consorts to potentially feel more connected to their subjects and gave them a sense of agency, as well as projected ideas about they might determine their own self-representation,” Muellner explained. “Studying the history of photography offers insight into a sort of agency on the part of royal women in constructing their own self-image, beyond the otherwise controlled world in which they were forced to navigate as royal consorts, where their bodies were really not their own.”

Muellner noted that the stories of royal women and their photograph collections have historically been undervalued. “From a scholarly perspective, the carte de visite was long an overlooked type of photograph that was considered repetitive and predictable, popular and commercial,” Muellner explained. While on leave from ������Ƶ in 2008-2009, Muellner traveled to Vienna and the Museum Ludwig to research the lesser-known history of Empress Elisabeth’s collection. “Exploring and working in archives and historical locations such as these are like traveling into the past, and are a great inspiration for uncovering hidden or lost stories, in particular of royal women, whose stories have long been suppressed and ignored,” she said.

Muellner’s 2010 article, “The Empress Elisabeth of Austria and her ‘Untidy’ Collection” published in a special issue of Women’s Studies: An Interdisciplinary Journal, was the first scholarly analysis of the album collection, and led to curator Miriam Szwast’s invitation to Muellner to speak. Muellner is currently working on a book about another royal woman called Working the Gilded Cage: The Life and Writing of Poet Queen Carmen Sylva aka Queen Elisabeth of Romania (1843-1916).

• Modern Language Association
• AATG
• WiG (President 2016-2018; VP 2014-2016)